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Quentin Tarantino’s impassioned feedback about Top Gun: Maverick nail the most important achievement of the long-awaited Top Gun sequel. The outsized success of Top Gun: Maverick is one thing that few commentators might have predicted. Not solely does the Top Gun: Maverick field workplace make the movie Tom Cruise’s most financially profitable film, however the blockbuster sequel can also be one of many 12 months’s most critically acclaimed releases.
Despite the thirty-six-year wait between Top Gun and its repeatedly delayed sequel, Top Gun: Maverick turned out to be greater than well worth the wait when the sequel lastly hit theaters in May 2022. Ironically, the explanation that Top Gun: Maverick labored so nicely is partially as a result of the sequel seems to be and feels a lot like the unique Top Gun, a seemingly redundant element that as an alternative makes the film’s nostalgia really feel lived-in and earned. Legendary director Quentin Tarantino’s current remarks on Top Gun: Maverick echoed this sentiment, crediting the Top Gun sequel’s success to this high quality.
While Top Gun director Tony Scott had an unique plan for Top Gun 2, his premature loss of life in 2012 left the challenge and not using a helmer for half a decade. Quentin Tarantino, who collaborated with Tony Scott on Crimson Tide and True Romance, stated that Top Gun: Maverick was a pleasure to observe because of its devoted recreation of Scott’s signature type, and, whereas Tony Scott’s work is inimitable, Tarantino is true to say that the Top Gun sequel does an efficient job of updating the enduring motion director’s aesthetic for a brand new era. Top Gun: Maverick is, as Tarantino urged in the ReelBlend Podcast, “as close as we’re ever going to get to seeing one more Tony Scott movie,” and it’s this high quality that makes the film a pleasure to observe.
While Top Gun: Maverick director Joseph Kosinski’s sequel plans began afresh as an alternative of borrowing from Scott’s proposed story, Tarantino complimented the Top Gun sequel for nonetheless managing to recapture what made Scott’s work so efficient. In an look on CinemaBlend’s podcast, Quentin Tarantino enthusiastically endorsed the sequel, noting that “I love both Tony Scott’s cinema so much, and… (Joseph Kosinski) did a great job. The respect and the love of Tony was in every frame. It was almost in every decision. It was consciously right there, but in this really cool way that was really respectful. And I think it was in every decision Tom (Cruise) made in the film.”
Tarantino is true to focus on the affect of Scott’s work on Top Gun: Maverick, because the sequel is indebted to the motion auteur’s work when it comes to story, type, and execution. While a Top Gun 3 film can’t be a Tom Cruise car after Top Gun: Maverick’s triumphant ending, Top Gun: Maverick was in a position to middle Cruise’s antihero in a lot the identical method that Top Gun’s plot pressured him to decide on between following the instructions of his superiors and following his coronary heart. Even the opening sequence of Top Gun: Maverick is nearly a direct recreation of the Top Gun first scene, an early, clear signal from Kosinski that the sequel can be a labor of affection that faithfully recreates the enchantment of Tony Scott’s unique film regardless of all of the years that handed between franchise outings.
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